Taking the lead from Andy Nulman’s recent post “The Day The Music Didn’t Really Die“, I wanted to expand on the notion of “hits”. First, a snippet from Andy’s blog:
Be you a restaurant, a seller of waste-paper baskets, a fashion designer, a blogger or a monopolistic software behemoth (Microsoft’s Steve Ballmer, at the recent Masters of Marketing Conference, bemoaned: “We need hits. Whatever a hit is, we need it!“), a hit product drives your business…and eventually gives you enough power to “eliminate the middleman” a la Radiohead and Madonna and so many more to come.
If the record labels go away, someone’s gonna have to find a way to make musical hits. And I ain’t talking languishing on the Long Tail with a few hundred sold here and there; I’m talking mass-market, on-everyone’s-lips, soundtracks-of-our-lives songs.
In similar fashion, I agree that we need superstars. The “soundtracks-of-our-lives songs” moniker is spot on. But I also suspect that we’re just in our awkward teenage years on this whole internet thing. People like Dane Cook though have made it to superstar status…
“…Cook pooled $30,000 of his own money from savings and retirement accounts and launched www.danecook.com, his own interactive website, to further his career and stay connected to his fans.[1] Later, Cook would also become one of the first celebrities to make use of the global networking site MySpace. To date, Cook has over 2 million fans listed as friends on his profile.” - Wikipedia
My overall point is that I don’t think there will be web celebrities in the future as we define them now. Dane Cook can sell out Madison Square Gardens. Back to back shows. He’s definitely a hit and I ultimately wonder if bands and musicians can take it to this level from scratch.
On a side point, we can’t also forget the logistical nightmare promoting a show, renting a venue, getting insurance, hiring a crew, hiring attorneys, and all that jazz. It’s a heavy burden for those who aren’t entrepreneurially inclined and I suspect that this is the initial barrier to any success, web or otherwise. Furthermore, there is a corporate blockade in place with deep roots in media and venue ownership that isn’t going away anytime soon.
My prediction is that artists will become more savvy and learn to work within the system to some extent. Retaining independent status simply helps the street cred. We need to then cross our fingers and hope that some artists will become profitable enough for the system. This in turn could incubate those “soundtracks-of-our-lives songs”.
I think we all can remember the good old days. Remember? Chairs glued to the ceilings, $2000-a-night penthouses in shambles, and all-too-obvious binge drinking and substance abuse? Superstar divas of all persuasions used to be our role models. Now we have nothing but Britney v. Federline–not even a catchy tune between them.